Bright days in sunny lands . what that pattern is, for it is a conglomerationof thick stone walls and myriads of rooms and win-dows. It has seven towers, fifteen gateways, threethousand eight hundred doors and windows, sixteencourts,and corridors of a hundred miles in total I walk through all these corridors and look outthrough all these windows? Not in one days would I desire to do so, were my visit one of ahundred days. I should as soon desire to see everycell in Sing Sing prison and touch every stone of theVatican. And why walk much within, when probablynot a living sou
Bright days in sunny lands . what that pattern is, for it is a conglomerationof thick stone walls and myriads of rooms and win-dows. It has seven towers, fifteen gateways, threethousand eight hundred doors and windows, sixteencourts,and corridors of a hundred miles in total I walk through all these corridors and look outthrough all these windows? Not in one days would I desire to do so, were my visit one of ahundred days. I should as soon desire to see everycell in Sing Sing prison and touch every stone of theVatican. And why walk much within, when probablynot a living soul would be met to tell you it was everintended to be the abode of life ? Five things impressed and interested me in thisstrange and gloomy Palace. The first was the has pretty frescoes, tables of porphyry and jas-per, elegant bookcases designed by the famous Escorialarchitect, Herrera, and an enormous number ofpriceless treasures in the shape of Greek, Arabic andSpanish manuscripts. The second were the portions. THE OLD SPAIN AND THE NEW 93 of the old living rooms of the Palace, which are yetcarpeted and furnished with magnificent sets of an-tique furniture, and where elaborate and costly tapes-tries, made for Charles III., representing games, bull-fights, fetes, etc., line the walls. They are not roomsto compare in elegance or comfort with some modernpalaces, but the decorations and furnishings deservemore than a passing mention. The third was the Bat-tle Room: the long hall, one hundred and seventy-eight feet in length, in which are displayed the fres-coes of Granello and Castello, representing the bat-tles of Higueruela, Lepanto, St. Quentin and Pavia,which, as historical works of art, must possess im-mense value. The fourth was the suite of tiny rooms,next to the church itself, where Philip lived in his lateryears, a prey to fear if not to remorse, and where he atlast died, grasping his crucifix, gazing through anopen door at the high altar of the church, seeki
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Keywords: ., bo, bookcentury1900, bookdecade1900, booksubjectvoyagesandtravels
