. The art of taming and educating the horse .. . und, showing that the outer rim or wall comes first,and that when theground is so soft as tolet the foot settle intoit, there is a corre-spondingly strongpressure upward andoutward upon thequarters. To do this,when in New YorkCity making illustra-tions for this work,he made three tripsto Flatbush, to obtaincasts from colts feetfrom four to fiveyears old, from whichto make the desireddrawings. After theloss of a weeks time,and large expense,two drawings of suchimpressions weremade by two of thebest artists in the city. • *51—Adjustment at turn of
. The art of taming and educating the horse .. . und, showing that the outer rim or wall comes first,and that when theground is so soft as tolet the foot settle intoit, there is a corre-spondingly strongpressure upward andoutward upon thequarters. To do this,when in New YorkCity making illustra-tions for this work,he made three tripsto Flatbush, to obtaincasts from colts feetfrom four to fiveyears old, from whichto make the desireddrawings. After theloss of a weeks time,and large expense,two drawings of suchimpressions weremade by two of thebest artists in the city. • *51—Adjustment at turn of foot. But it was finally decided that neither could be engraved so as to bring out the ideasufl&ciently clear andgood to be of any spe-cial benefit; conse-quently it was aban-doned. The sectionaldrawings given are made from a half-size scale of casts, showing the exact degree of concavity at different parts, as given. The colts foot in its natural state, being the most simple and 41 Fig. 450.—Adjustment between heel and turn of
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Keywords: ., bookcentury1800, bookdecade1880, booksubjecthorses, bookyear1884
