The antique Greek dance, after sculptured and painted figures . Fig. 349 Fig. 350. of the feet (Figs. 346, 347, 348) or on the half-toe (Figs. 349, 350,351, 352) is seen in Greek sculpture of the Hellenistic period. Itis always held in high esteem. It is sometimes accompanied by a. Fig. 350A strange backward bend (Figs. 352, 199, C) or by the flexion of theknees (Fig. 353). 267. Turning by Stamping in IV Crossed.—One of the Positionsfavored by the Greek dancers, who turned by stamping, was the IVcrossed (95) on the half-toe or on the toe. It is one of the most DESCRIPTION OF SOME OF THE TEMPOS
The antique Greek dance, after sculptured and painted figures . Fig. 349 Fig. 350. of the feet (Figs. 346, 347, 348) or on the half-toe (Figs. 349, 350,351, 352) is seen in Greek sculpture of the Hellenistic period. Itis always held in high esteem. It is sometimes accompanied by a. Fig. 350A strange backward bend (Figs. 352, 199, C) or by the flexion of theknees (Fig. 353). 267. Turning by Stamping in IV Crossed.—One of the Positionsfavored by the Greek dancers, who turned by stamping, was the IVcrossed (95) on the half-toe or on the toe. It is one of the most DESCRIPTION OF SOME OF THE TEMPOS AND STEPS 143 striking features of the ancient dance. Often the stamping is slight,owing to the close crossing.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
