Ægean archæeology; an introduction to the archæeology of prehistoric Greece . tWo styles ; wefind a combination of the two techniques of light-on-dark and dark-on-light designs upon the samevase.^ In other objects than pottery the difficulty isgreat, as the same naturalism and bold handling ischaracteristic of both periods. Yet the periods seem tobe distinguished in the stratification of Knossos, whereit is evident that closed with a catastrophe, agreat conflagration which partly destroyed the olderpalace. We cannot, therefore, establish the dis-tinction between the two, and combine M.
Ægean archæeology; an introduction to the archæeology of prehistoric Greece . tWo styles ; wefind a combination of the two techniques of light-on-dark and dark-on-light designs upon the samevase.^ In other objects than pottery the difficulty isgreat, as the same naturalism and bold handling ischaracteristic of both periods. Yet the periods seem tobe distinguished in the stratification of Knossos, whereit is evident that closed with a catastrophe, agreat conflagration which partly destroyed the olderpalace. We cannot, therefore, establish the dis-tinction between the two, and combine into a single period, as is proposed by a recentwriter.^ And though it is not always easy to saywhether a transition pot^ is or , yetthe majority of vases of the two periods are certainlydistinguishable ; a late pot could not possibly , XXII (1902), PI. XII, 2.^ Reisinger, Kretische Vasenmalerei (1912), p. 18. one found at Anibeh, in Nubia, by Mr. WooUey and pub-lished by him in Journ. Philadelphia Mm. i. (1910), p. 47, Fig.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherlondo, bookyear1915
