Nayika Awaits Her Lover, page from a series illustrating the Rasikapriya of Keshavadasa Ibrahim. , 1692. Opaque watercolor on paper, sheet: 9 1/2 x 6 1/4 in. ( x cm). This painting illustrates the Hindu text called the Rasikapriya, which describes the many stages of a romantic relationship using the love affair between the Hindu god Krishna and his beloved, Radha, as an example. Here, the romantic heroine (also known as a nayika) sits talking to her friend, presumably about Krishna, not knowing that he is standing behind her. One of the interesting features of this painting is the ca
Nayika Awaits Her Lover, page from a series illustrating the Rasikapriya of Keshavadasa Ibrahim. , 1692. Opaque watercolor on paper, sheet: 9 1/2 x 6 1/4 in. ( x cm). This painting illustrates the Hindu text called the Rasikapriya, which describes the many stages of a romantic relationship using the love affair between the Hindu god Krishna and his beloved, Radha, as an example. Here, the romantic heroine (also known as a nayika) sits talking to her friend, presumably about Krishna, not knowing that he is standing behind her. One of the interesting features of this painting is the canopy: it should probably be read as standing above their heads, but all four posts end behind the terrace. The arrangement defies logic, but ensures that the posts do not block our view of the main characters. Such spatial incongruities are relatively common in Indian painting, where illusion was less important than legibility and attractiveness. Asian Art 1692
Size: 1882px × 2655px
Photo credit: © BBM / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
