A captive at Carlsruhe and other German prison camps, with numerous illustrations by the author . ONE OP OUR ORCHESTRA,. ENGINEER OF THE HITACHI MAEU. Victims of the Wolf CARLSRUHE Kriegsgefangenenlagerbeing what was known as a Distribu-tion Camp, there was a continualcoming and going of officers. Here wehad no continuing city. An occasionalprisoner might linger on—as if entirely over-looked and forgotten—for a year or even 80 SEA-CHESTS 81 two ; in the majority of cases, however, thestay only extended for a few weeks, sometimesmerely a few daj^s. On three consecutiveweeks the cast for one of
A captive at Carlsruhe and other German prison camps, with numerous illustrations by the author . ONE OP OUR ORCHESTRA,. ENGINEER OF THE HITACHI MAEU. Victims of the Wolf CARLSRUHE Kriegsgefangenenlagerbeing what was known as a Distribu-tion Camp, there was a continualcoming and going of officers. Here wehad no continuing city. An occasionalprisoner might linger on—as if entirely over-looked and forgotten—for a year or even 80 SEA-CHESTS 81 two ; in the majority of cases, however, thestay only extended for a few weeks, sometimesmerely a few daj^s. On three consecutiveweeks the cast for one of our plays wasremoved almost en bloc. Friendships wereformed overnight, to be violently disruptedby departure on the morrow. In our Uttleworld was a complete epitome of life. One afternoon in early March there arrivedin camp a cartload of trunks and sea-chestsbearing strange hieroglyphics, with a rumourthat these would be followed by the officersof various nationalit}^, including Japanese,captured from the ships sunk by the notoriousGerman cruiser Wolf. Two days later they arrived, sailormen fromthe seven seas,
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Keywords: ., boo, bookcentury1900, bookdecade1920, booksubjectworldwar19141918
