. The book of decorative furniture, its form, colour and history . CAKVED OAK PARCHEitiy COURT. ^ See illustrdtions of Gothic details in preceding chapter. 48 DECORATIVE FURNITURE THE GOTHIC WOODWORKERS KIT One would like to see a Gothic or Tudor woodworkers outfit;he certainly ix)ssessed no moulding planes equalling the modernkind, vet probably \vas frequently a skilful all-round craftsman;expert in the carving of such details as the ribbed and otherwisedecorated mouldings ynth. shaped ends, known as LINENFOLD ANDPARCHEMIN PATTERNS, Which were introduced in panel decoration duri
. The book of decorative furniture, its form, colour and history . CAKVED OAK PARCHEitiy COURT. ^ See illustrdtions of Gothic details in preceding chapter. 48 DECORATIVE FURNITURE THE GOTHIC WOODWORKERS KIT One would like to see a Gothic or Tudor woodworkers outfit;he certainly ix)ssessed no moulding planes equalling the modernkind, vet probably \vas frequently a skilful all-round craftsman;expert in the carving of such details as the ribbed and otherwisedecorated mouldings ynth. shaped ends, known as LINENFOLD ANDPARCHEMIN PATTERNS, Which were introduced in panel decoration during the last quarter ofthe fifteenth century. The Linenfold was based upon and emblematic of the veil covering thechalice at the consecra-tion of the Host inCatholic ritual: it ap-peared towards the con-clusion of the Gothicera in French architec-ture and Flemish furni-ture, and thence travelled THE LINENFOLD PATTERN ON MR. ^O Euglaud. Thc PttT- Sour Pil^te%Xi.;^- «^^^^*^ pattern was de-
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Keywords: ., bookcentury1900, bookdecade191, booksubjectdecorationandornament
