Programme . tions expired in that year, and Breitkopf & Hartelof Leipsic then announced a new and revised edition of his works,edited by Charles Malherbe and Felix Weingartner. The Rob Royoverture appeared in this edition. The second performance was at the Crystal Palace, London, Feb-ruary 24, 1900. The Wagner Society of Berlin brought out the over-ture for the first time in Germany, April 9, 1900. The Chicago Orches-tra, led by Theodore Thomas, performed it in Chicago, November 2and 3, 1900. The overture was played at a Symphony Concert of theRoyal Orchestra, Dresden, November 8, 1901. The fi
Programme . tions expired in that year, and Breitkopf & Hartelof Leipsic then announced a new and revised edition of his works,edited by Charles Malherbe and Felix Weingartner. The Rob Royoverture appeared in this edition. The second performance was at the Crystal Palace, London, Feb-ruary 24, 1900. The Wagner Society of Berlin brought out the over-ture for the first time in Germany, April 9, 1900. The Chicago Orches-tra, led by Theodore Thomas, performed it in Chicago, November 2and 3, 1900. The overture was played at a Symphony Concert of theRoyal Orchestra, Dresden, November 8, 1901. The first performancein Boston was by the Boston Symphony Orchestra, January 22, 1910,Mr. Fiedler conductor. The overture is scored for two flutes (one interchangeable withpiccolo), oboe, English horn, two clarinets, two bassoons, four horns,one trumpet with pistons in D, two trumpets in A basso, three trom-bones, kettledrums, harp, and the usual strings. MERICA Ti MPHAN America Triumphant Clifford DsiiA*B5r. PATRIOTIC SONG Words by JOHN HAYNES HOLMES Music by CLIFFORD DEMAREST Published in Two Keys. 50 issued as Chorus forWomens Voices (Trio)Mixed Voices ()Mens Voices () Price, 12 Cents EachUnison Song for Schools. 5 Cents. THE ARTHUR P. SCHMIDT CO. 120 Boylston Street, BOSTON. MASS. For Sale by all Music Dealers It begins Allegro non troppo, D major, 6-8, with the horns playingthe opening theme, founded on the old Scottish song known as Scotswha hae wi Wallace bled. * Then follows a lively subsidiary theme,and the development of it introduces a motive that has been char-acterized as the Rob Roy motive, which is given to the lower stringsand the bassoons, and is repeated with elaborations for violins andwood-wind instruments. After a transitional passage the secondtheme is given to the English horn over an arpeggio accompanimentfor the harp. This theme after elaboration is joined by an inter-mediary passage to the reappearance of the first theme, which is
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
