. International studio. LIPFROM AN ETCHING BY C. F. W. MIELATZ course oi the succeeding years public recognitionof his art grew apace. He was elected an Associateof the National Academy and for fifteen yearswas chiet instructor in etching at the school ol tin-National Academy of Design. His early days in New York were filled witheager and successful adventures in quest of his-toric landmarks, picturesque bits of architecture,alluring vistas, impressive atmospheric effects,individualistic aspects of the citys highways andbyways. And as the years rolled by he kept onadding plate after plate to h
. International studio. LIPFROM AN ETCHING BY C. F. W. MIELATZ course oi the succeeding years public recognitionof his art grew apace. He was elected an Associateof the National Academy and for fifteen yearswas chiet instructor in etching at the school ol tin-National Academy of Design. His early days in New York were filled witheager and successful adventures in quest of his-toric landmarks, picturesque bits of architecture,alluring vistas, impressive atmospheric effects,individualistic aspects of the citys highways andbyways. And as the years rolled by he kept onadding plate after plate to his graphic record ofthe American metropolis in its gradual but unpaus-ing change, until that record, to which hecollective title of New York Old and New. hadsurpassed all competition in the hulk olrial interest, artistic excellence, andThis series of etchings, dry poiiof New York reaches the impressive nun:!more than one hundred, andfrom almost even part of the city. No descrip- J U L Y 1922 two n 1 nel\ inceRtiAcioriAL. «„
Size: 1789px × 1396px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
