The Lake at Hakone in Sagami Province (S?sh? Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanj?rokkei) ca. 1830–32 Katsushika Hokusai Japanese Unlike the soft coloration of the aizuri print, this image dazzles with its bright, clear tones and brilliant light effects. Hokusai makes use of the cloud form common to traditional Japanese prints, the suyari gasumi, as a framing device to draw attention to the The Lake at Hakone in Sagami Province (S?sh? Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanj?rokkei). Katsushika Hokusai (Japanese
The Lake at Hakone in Sagami Province (S?sh? Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanj?rokkei) ca. 1830–32 Katsushika Hokusai Japanese Unlike the soft coloration of the aizuri print, this image dazzles with its bright, clear tones and brilliant light effects. Hokusai makes use of the cloud form common to traditional Japanese prints, the suyari gasumi, as a framing device to draw attention to the The Lake at Hakone in Sagami Province (S?sh? Hakone kosui), from the series Thirty-six Views of Mount Fuji (Fugaku sanj?rokkei). Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)). Japan. ca. 1830–32. Woodblock print; ink and color on paper. Edo period (1615–1868). Prints
Size: 1935px × 1304px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
