Enigmes Joyeuses pour les Bons Esprits, Plate 3 ca. 1615 Jan van Haelbeeck Third plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman dressed in full 17th-century court dress, stands next to a table covered with a cloth, on which a bowl with sweetmeats stands, in a room furnished with a daybed and a chair;
Enigmes Joyeuses pour les Bons Esprits, Plate 3 ca. 1615 Jan van Haelbeeck Third plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman dressed in full 17th-century court dress, stands next to a table covered with a cloth, on which a bowl with sweetmeats stands, in a room furnished with a daybed and a chair; she holds one of the sweetmeats on one hand, and a fan on the other. The plate accompanies the third sonnet of the Enigmes, which describes an object highly desired by women, possibly referring to the sweetmeats in the bowl, but also hinting to another, slightly more erotic meaning. This double meaning of the images and sonnets of the Enigmes helps explain why most copies of the series, although very popular and influential in their day, have been Enigmes Joyeuses pour les Bons Esprits, Plate 3. Jan van Haelbeeck (Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630). ca. 1615. Copper engraving. Prints
Size: 1972px × 1521px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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