Brooklyn Museum Quarterly . Type 9, Design Q, Port Side. An example of an approved design for anAmerican freighter of 8800 tons transmitted by the Navy Department to theShipping Board. 43. Courtesy of Sea Poiivr The Muscatine, camouflaged in March, 1918, with the firstBritish dazzle brought to the United States by Commander Wil-kinson. The hues are black, white, light gray, light blue, anddark blue. Of 1300 American vessels camouflaged according to theNavy systems since the Muscatine was painted, only 11 havebeen lost. Mackay, Camoufleur of the Second Xaval District, pioneerand most successful
Brooklyn Museum Quarterly . Type 9, Design Q, Port Side. An example of an approved design for anAmerican freighter of 8800 tons transmitted by the Navy Department to theShipping Board. 43. Courtesy of Sea Poiivr The Muscatine, camouflaged in March, 1918, with the firstBritish dazzle brought to the United States by Commander Wil-kinson. The hues are black, white, light gray, light blue, anddark blue. Of 1300 American vessels camouflaged according to theNavy systems since the Muscatine was painted, only 11 havebeen lost. Mackay, Camoufleur of the Second Xaval District, pioneerand most successful exponent of the art in America, tlieJosephs coat of a ship painted with correct proportions ufred, green, and violet will respond to light changes as noflat tone will. Battleship gray is made from pigments whichhave no color, black and Avliite; the gray is made on the boatand carried to the eye in mixed paint. As it cannot changeits color it will never quite fit its surroundings. The advan-tage of putting on separate sections of red, green and violetis that, if the source of illuminations becomes warm, the redwill count and the gray will be a warm gray. If the lightbecomes cool th
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Keywords: ., bookcentury1900, bookdecade1910, bookidbrooklynmuseumqu46broouof
