. Portrait . Infante Marguerite Therest dark spot to the other, and as this is impossible withoutcrossing a light plane, the alternation of effects pro-duces a constant expansion and contraction. Theeye seems to enjoy this activity and it is easiest pro-duced pictorially by a pattern design, of which picture-makers have been fond at all times. A very large per-centage of all full length figures by the Old Masters,as well as the so-much-liked representations of female PORTRAIT figures in Japanese color prints are little more thanidealized fashion plate designs. If the pattern isclearly represen
. Portrait . Infante Marguerite Therest dark spot to the other, and as this is impossible withoutcrossing a light plane, the alternation of effects pro-duces a constant expansion and contraction. Theeye seems to enjoy this activity and it is easiest pro-duced pictorially by a pattern design, of which picture-makers have been fond at all times. A very large per-centage of all full length figures by the Old Masters,as well as the so-much-liked representations of female PORTRAIT figures in Japanese color prints are little more thanidealized fashion plate designs. If the pattern isclearly represented, agreeable in motif and not too con-spicuous in detail, it always adds to the interest. Itwill attract the eye and keep it busy. Of course, it hasto be managed in such a way that it serves merely as. Water Carrier By J. F. Millet an embellishment and does not detract from the do not believe that this is always the case, even withpainters of the reputation of a Velasquez. The con-trast in Fig. 3 seems to be too decided, too large in itsshapes to be perfectly balanced by the face, whichdominates the composition only on account of its posi-tion, on the top of a pyramid form. The eye is quickly PORTRAIT
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License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, bookidpo, booksubjectphotography
