The International Studio /June 1915 . r-pretation. A picture to be remembered is The Girl inWhite by J. E. Blanche. In a white pinafore, sheleans back in her chair, lost in reverie, her figurereflected in a near mirror. The swift and sensitivedescription of exterior detail is not weakened bythe almost literary mood that prevails. The collec-tion also contains a portrait from M. Blancheshand. We must not forget to record the landscapeDieppe, by the Canadian painter, James Morrice, ofinfinitely tender colour, a nature-lovers renderingof coast atmosphere—and some garden scenes byMiss Emma Ciardi,
The International Studio /June 1915 . r-pretation. A picture to be remembered is The Girl inWhite by J. E. Blanche. In a white pinafore, sheleans back in her chair, lost in reverie, her figurereflected in a near mirror. The swift and sensitivedescription of exterior detail is not weakened bythe almost literary mood that prevails. The collec-tion also contains a portrait from M. Blancheshand. We must not forget to record the landscapeDieppe, by the Canadian painter, James Morrice, ofinfinitely tender colour, a nature-lovers renderingof coast atmosphere—and some garden scenes byMiss Emma Ciardi, painted with an air of gaietythat is delightful. We remember the music-room for, among otherthings, some old chairs with silk covers painted bythe collectors wife. Those who have seen fans have found in them an instinct for therequirement of the fan only little less certain thanwas that of Conder. The charm of the touch ofMary Davis with a water-colour brush rests with itsfeminine delicacy : she is to Conder what Berthe. LES MARMITONS BY CHARLES SHANNON, V
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Keywords: ., book, bookcentury1900, booksubjectcalifornia, booksubjectsandiego
