The antique Greek dance, after sculptured and painted figures . Fig. 269. The Figs. 257 to 261 are an analysis of the Jete over, with theleft leg, and their moments correspond with those of the figures justanalysed. Jete is called the under Jete when the descending leg is the one atthe rear: in that case, the other leg is lifted in front. The Jeteover is executed backward. 223. The Jete may be made, not only forward or back, but later-ally, by a leap to the side. 122 TECHNIQUE OF THE DANCE Figs. 262 to 269 analyse a Jete over, to the left. The Figs. 266 to 269 analyse a Jete over, to the right
The antique Greek dance, after sculptured and painted figures . Fig. 269. The Figs. 257 to 261 are an analysis of the Jete over, with theleft leg, and their moments correspond with those of the figures justanalysed. Jete is called the under Jete when the descending leg is the one atthe rear: in that case, the other leg is lifted in front. The Jeteover is executed backward. 223. The Jete may be made, not only forward or back, but later-ally, by a leap to the side. 122 TECHNIQUE OF THE DANCE Figs. 262 to 269 analyse a Jete over, to the left. The Figs. 266 to 269 analyse a Jete over, to the right. The two series explain themselves. 224. The Slide, the Chasse and the Coupe are movements on theground; the Jete is a movement in the air; the Fouette is executedon the ground or in the air, depending upon whether the Step is onthe ground or a leap. 225. In the analysis of the modern dance, by means of photo-.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
