Counterpoint applied in the invention, fugue, canon and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music . * This actually takes place in Jadassohn, Vocal Canon, op. 38, No. 1, during Div. I. 3o8 APPLIED COUNTERPOINT. Par. 203. ROMANZA. n 1 n etc. fe^5fcf5EH 1 1 1 1 —— Additional miscellaneous illustrations : Schumann, Jugend-Album, op. 68, No. 27 (in the 8ve); 3-Part Song-form;canonic voices exchanged in Part II. —Jugend-Sonata, op. 1
Counterpoint applied in the invention, fugue, canon and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music . * This actually takes place in Jadassohn, Vocal Canon, op. 38, No. 1, during Div. I. 3o8 APPLIED COUNTERPOINT. Par. 203. ROMANZA. n 1 n etc. fe^5fcf5EH 1 1 1 1 —— Additional miscellaneous illustrations : Schumann, Jugend-Album, op. 68, No. 27 (in the 8ve); 3-Part Song-form;canonic voices exchanged in Part II. —Jugend-Sonata, op. 118, No. 2, second move-ment (8ve); 3-Part form, with all repetitions. — Albumblatter, op. 124, No. 20 (8ve).Symph. Etudes, op. 13, Etude 4 (8ve). Guilmant, Org. Comp., op. 40, No. 3 (8ve). Grieg, Lyric Pieces, op. 38, No. 8 (8ve). Jadassohn, Pfte. Preludes and Fugues, op. 56; Prelude 2 (8ve). — Prel. 3(8ve). — Pre!. 6 and 8 (ditto). Moszkowski, op. 15, No. 4. Leschetizky, op. 36, No. 2 (Gigue); almost wholly unaccompanied. Raff, Friihlingsboten, op. 55, No. 10. C6sar Franck, Violin Sonata, A major, Finale ; Sonata-allegro form, the Prin-cipal Theme each time an 8ve-Canon, in different modes of treatment. G. W. Chadwick, Canonic Studies for Organ, op. 12; Nos. 1, 3, 4, 5, 6, 7, 8;different intervals; all accompanied. EXERCISE 56. A. An example of the 2-voice Cano
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