Tipyn o'bob, 1906-1907 . Mrs. Mouse: Heavens, children, dont drink out of that. The girl who hadtea in it has just developed Violet by the Mossy Stone: Why do you rear your head so high ?The Lonely Violet: Im following the Bryn Mawr Standard. LA PRINCESSE LOINTAINE 33 for us modern spectators, a more heightened vitality than those in thenovel of our childhood. The idea of serving to us the archaisms ofSir Walter concealed beneath a piquant sauce of Gelett Burgess andBernard Shaw, proved a most palatable one. The employment of themagnificent scenic resources now open to the modern
Tipyn o'bob, 1906-1907 . Mrs. Mouse: Heavens, children, dont drink out of that. The girl who hadtea in it has just developed Violet by the Mossy Stone: Why do you rear your head so high ?The Lonely Violet: Im following the Bryn Mawr Standard. LA PRINCESSE LOINTAINE 33 for us modern spectators, a more heightened vitality than those in thenovel of our childhood. The idea of serving to us the archaisms ofSir Walter concealed beneath a piquant sauce of Gelett Burgess andBernard Shaw, proved a most palatable one. The employment of themagnificent scenic resources now open to the modern stage, such as wewitness in the fire-scene of the Third Act—which rivalled ConeyIslands far-famed Fighting the Flames—added greatly to the realisticeffect. We wish especially to thank Ivanhoe and his voice, the frolic-some Wamba, and the charming Athelstane, for their vivid impersona-tions, and finally to congratulate the two collaborators with Sir Walteron the unalloyed success of their production. LA PRINCESSE LOINTAINE. A large discount on individual enthusiasm is, possibly, a necessaryelement in all critical uprightness and
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