. A system of harmony : founded on key relationship, by means of which a thorough knowledge of the rules that govern the combinations and successions of sounds may be easily acquired with or without a teacher . F=t r 10. 11. 4 -1—r--F-/2-e:Fz^z#j-|-^r 12. ±^,=4===Hq=4= 13. & & 14. TBf i4—&-5f-t—?%—s- -I—Pt 5=t ^—t £zst TBI -Z5»- J--J-,-, HARMONY. 61 1. Dominant of C, with major ninth. 2. Dominant of C, with minor ninth. 3. First inversion. 4. Second inversion. 5. Third inversion. 6, 7, 8. The third omitted in 6 and 7, the ninth is minor, not beingat the top of the chord. 9, 10. The fifth omitt
. A system of harmony : founded on key relationship, by means of which a thorough knowledge of the rules that govern the combinations and successions of sounds may be easily acquired with or without a teacher . F=t r 10. 11. 4 -1—r--F-/2-e:Fz^z#j-|-^r 12. ±^,=4===Hq=4= 13. & & 14. TBf i4—&-5f-t—?%—s- -I—Pt 5=t ^—t £zst TBI -Z5»- J--J-,-, HARMONY. 61 1. Dominant of C, with major ninth. 2. Dominant of C, with minor ninth. 3. First inversion. 4. Second inversion. 5. Third inversion. 6, 7, 8. The third omitted in 6 and 7, the ninth is minor, not beingat the top of the chord. 9, 10. The fifth omitted. 11, 12, 13. The seventh omitted. 14. Succession of dominants. The ninth is not added to the sec-ond chord, but is to the third. If the succession were continued thefourth chord would be without the ninth. This example should bewritten in several keys. We found ( page 56 ) that it is possible to change the arrangementof a chord at will, and that there was no Progression until the har-mony changed; but as the ninth in descending moves to the root ofthe chord, there may be Resolution without Progression, thus:. The ninth and seventh may also movefreely to any other member of the chord be-fore progression takes place.
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