The early Flemish painters: notices of their lives and works . ce a deep impression; andthe colours are so bright, so clear, and so admirablycontrasted that we necessarily yield to a grateful senseof rest. The donors of this beautiful altar-piece areCatherine Yan Ryebecke, her son Adrian Bultynck,and her husband Pierrre Bultynck, the latter knownas a substantial citizen and currier, who served asechevin of Bruges in 1477, 1478 and 1480. It wasobserved by a local chronicler of the last century, whosaw the altar-piece in a chapel of the Church of NotreDame at Bruges, that an inscription on the f
The early Flemish painters: notices of their lives and works . ce a deep impression; andthe colours are so bright, so clear, and so admirablycontrasted that we necessarily yield to a grateful senseof rest. The donors of this beautiful altar-piece areCatherine Yan Ryebecke, her son Adrian Bultynck,and her husband Pierrre Bultynck, the latter knownas a substantial citizen and currier, who served asechevin of Bruges in 1477, 1478 and 1480. It wasobserved by a local chronicler of the last century, whosaw the altar-piece in a chapel of the Church of NotreDame at Bruges, that an inscription on the framingtold how the picture was presented by Pierre Bultynckin 1480, to the guild of curriers with the proviso thata miserere and de iwofundis should be recited before itafter each mass. 2 1 Le Beffroi, u. s. 11. 267. 2 Munich Pinakothek. Cabinets, No. 63. Wood, h. This picture is not quite correctly called the Seven was given to the corporation 1479 before Easter (1480, n. s.)by Pierre Bult3^nck. (See the inventory of the property of the.
Size: 1338px × 1867px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcen, bookdecade1870, booksubjectpainters, booksubjectpainting
