Admission is granted through application to the Office of Special Collections. Forms part of Prints by Felix Bracquemond in Samuel Putnam Avery Collection. Holdings checked in departmental copy of Henri Beraldi, Les graveurs du XIXe siecle, v. 3. Illustrations, vignettes, title pages and frontispieces for works by various authors, including Charles Asselineau, Theodore de Banville, Charles Baudelaire, Philippe Burty, Champfleury, Philarete Chasles, Francois Coppee, Giuseppe Garibaldi, Theophile Gautier, Albert Glatigny, Jean de La Fontaine, Catulle Mendes, Charles Monselet, Abbe Prevost, Franc
Admission is granted through application to the Office of Special Collections. Forms part of Prints by Felix Bracquemond in Samuel Putnam Avery Collection. Holdings checked in departmental copy of Henri Beraldi, Les graveurs du XIXe siecle, v. 3. Illustrations, vignettes, title pages and frontispieces for works by various authors, including Charles Asselineau, Theodore de Banville, Charles Baudelaire, Philippe Burty, Champfleury, Philarete Chasles, Francois Coppee, Giuseppe Garibaldi, Theophile Gautier, Albert Glatigny, Jean de La Fontaine, Catulle Mendes, Charles Monselet, Abbe Prevost, Francois Rabelais and Mathurin Regnier. Also includes illustrations of the Gospels and the Jardin des Plantes. Many are in variant states and some are unpublished. Avery Collection. This list includes only small vignettes, title pages and frontispieces. Oversize title pages are listed separately in NYPG95-F237. Title from H. Beraldi, Les graveurs du XIXe siecle, v. 3, p. 115. Wood engravings are by other artists, after designs by Bracquemond. Citation/Reference: B366[b] Intended as one of eleven illustrations for Titres de Romances. See also B360, B363, B364, B368 and B369. Citation/Reference: Af30(II/IV) According to Jean-Paul Bouillon, Félix Bracquemond, le réalisme absolu : oeuvre gravé, 1849-1859, catalogue raisonné, the process is eau-forte (procédé Garnier et Salmon?).; [Une petite mare entounée d'arbres.]
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