Fairchild's rapid letterer and show-card maker, commercial alphabet construction with brush or pen . 98 FAIECHILDS EAPID LETTEEER. StencilingFabrics. THERE are twoclasses of col-ors which aremostly used onfabrics for sten-ciling. What arecalled tapestrydyes can bebought in all artsupply stores. Avery small quan-tity of gum mu-cilage is addedto the liquid dyein a separateshallow vesselinto which aboutonly one-eighthof an inch of asoft, compactround bristlebrush is stencil mustbe pinned or helddown close to thefabric, so that itdoes not spreadunderneath, andcare must betaken to wipe o
Fairchild's rapid letterer and show-card maker, commercial alphabet construction with brush or pen . 98 FAIECHILDS EAPID LETTEEER. StencilingFabrics. THERE are twoclasses of col-ors which aremostly used onfabrics for sten-ciling. What arecalled tapestrydyes can bebought in all artsupply stores. Avery small quan-tity of gum mu-cilage is addedto the liquid dyein a separateshallow vesselinto which aboutonly one-eighthof an inch of asoft, compactround bristlebrush is stencil mustbe pinned or helddown close to thefabric, so that itdoes not spreadunderneath, andcare must betaken to wipe off the under side ofthe stencil be-fore it is againplaced colors areespecially desir-able for thin andall gauzy mate-rial, like chiffons,veilings, challiesand white back-grounds, becausethey penetratethe meshes thor-oughly and donot stiffen thefabrics, whichshould be pressedwith a hot iron by placing three folds of damp unbleachedmuslin and one dry fold over the color, which makes thecolors permanent. Oil Color and Bronze Stenciling. Any oil paint or tapestry die can be thinned with turpen-tine and must be mixed ac
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectlettering, bookyear19
