A blindfolded suitor is brought before a princess; verso: scrolling floral vines, 1755. Fayzullah (Indian, active c. 1730–1765). Opaque watercolor with gold on paper (recto); opaque watercolor with gold on paper (verso); In a scene set on a carpeted terrace in the women’s palace quarters, an older woman of the harem drags a young prince with a white blindfold over his eyes before a princess grasping a document. Such a scene evokes a literary allusion of a princess who selects her suitor, but it also resonates with circumstances at the Mughal court. Signed and dated by the artist, this paintin
A blindfolded suitor is brought before a princess; verso: scrolling floral vines, 1755. Fayzullah (Indian, active c. 1730–1765). Opaque watercolor with gold on paper (recto); opaque watercolor with gold on paper (verso); In a scene set on a carpeted terrace in the women’s palace quarters, an older woman of the harem drags a young prince with a white blindfold over his eyes before a princess grasping a document. Such a scene evokes a literary allusion of a princess who selects her suitor, but it also resonates with circumstances at the Mughal court. Signed and dated by the artist, this painting was completed at a time when powerful women wielded control over the emperor, and Ahmad Shah Bahadur (reigned 1748–54), son and successor of Muhammad Shah, had been blinded and deposed less than one year before.
Size: 3400px × 2490px
Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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