Art . the pencildrawing ol the white ])eony on page 287, require so delicate a touch in certainparts that the blocking in of these parts with any ]>re])aration lines would detractfrom the delicacy of the drawing. In the illustration, very faint lines were used toblock in the general shape of the whole flower. Then each separate large petal wasl)locked in with similar lines, but the touches that were used to represent theragged pompom-like centre of the flower were ])ut in diicctly, after a careful studyof the flower with half-closed eyes to see which edges should be suggested and thecharact
Art . the pencildrawing ol the white ])eony on page 287, require so delicate a touch in certainparts that the blocking in of these parts with any ]>re])aration lines would detractfrom the delicacy of the drawing. In the illustration, very faint lines were used toblock in the general shape of the whole flower. Then each separate large petal wasl)locked in with similar lines, but the touches that were used to represent theragged pompom-like centre of the flower were ])ut in diicctly, after a careful studyof the flower with half-closed eyes to see which edges should be suggested and thecharacter of the stroke that would best represent them. FLOWERS IX WATER-COLOUR The following lesson on the painting of a spray of peach ])lossoms will befound helpful in the rendering of specimens from many different flowering shrubsand trees. The steps to be followed, after all ])reliminary preparations with regardto necessary materials and ihe placing of a suflficient number of specimens havebeen made are:. OUTLINE DRAWINGS, I\SEFUL ALIKK FOIlDESIGN AND NATURE STUDY .^
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishe, booksubjectdrawing
