. Programme . onne in Paris, January 8, 1911,when Pierne conducted. There was a later performance at a Lam-oureux concert, October 20, 1912. La Tragedie de Salome, with Schmltts music, was performedby the Russian Ballet at the Chatelet, Paris,, April 12, 1912. Trouhanowa mimed Salome, and the composer ^rodias, Mile. Neith-Blanc; Herode, Jacquinat; Jean, de orchestra was the Lamoureux. There was a performance of the ballet by the Russian Companywith Schmitts music at Drury Lane, London, June 30, 1913, whenthe part of Salome was danced by Mme. Karsavina. She was
. Programme . onne in Paris, January 8, 1911,when Pierne conducted. There was a later performance at a Lam-oureux concert, October 20, 1912. La Tragedie de Salome, with Schmltts music, was performedby the Russian Ballet at the Chatelet, Paris,, April 12, 1912. Trouhanowa mimed Salome, and the composer ^rodias, Mile. Neith-Blanc; Herode, Jacquinat; Jean, de orchestra was the Lamoureux. There was a performance of the ballet by the Russian Companywith Schmitts music at Drury Lane, London, June 30, 1913, whenthe part of Salome was danced by Mme. Karsavina. She was thusdescribed: With blanched face, startling in its pallor by contrastwith her mop of raven hair, she presents a striking appearance as Hur^witcli Bros. PRESENT tke latest Imported and Original Creations forSouthern >Vear TAILORED COSTUMESGOWNS COATS Also complete collection of Englisk faorics for Riding Habitsand Sport Apparel. 344 Boylston Street 101 TREMONT STREETTELEPHONE, MAIN 4335 ROOM 211, BOSTON 530. 531 she descends a steep flight of stairs at the back of the stage, thelong train of the cloak she wears completely covering the steps aftershe has set foot to the ground. Divested of this wonderful robe,Salom§ proceeds to dance; the dance is at first frantic and insane:then more prosed and sorrowful, more remote and ecstatic. It isthe expression and avowal of her sensual torment and of her atone-ment through the very misery of her unassuagable desire, and veryremarkable are some of her movements and attitudes; now sinuous,now rigid, at one moment wild in their abandon, at the next sugges-tive of utter physical collapse {Daily Telegraph). The score is dedicated to Igor Stravinski. These instrumentsare required: piccolo, two flutes, two oboes, English horn, two clari-nets, bass clarinet, two bassoons, sarrusophone, four horns, threetrumpets, three trombones, bass tuba, kettledrums, snare-drum,bass drum, triangle, cymbals, tam-tam, Glockenspiel, two harps, andthe usual st
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
