The firement escuyer, Jaspar de Isaac, 1634 The rider of the mule is a dwarf. Because he is sitting on the Rijdier, he seems just as big as his female companion. He wears a big hat with feathers on the head and is shown in boots with traces. The woman is in her open dress with low cleavage, poffing incised sleeves and a raised batist collar with lace, dressed according to fashion around 1634. She has her hands in a fur mof. Why not she is on the mule, but is next to it, is mentioned in the caption. The dwarf needs his rider because otherwise he can't keep up with the woman. Moreover, he is pa
The firement escuyer, Jaspar de Isaac, 1634 The rider of the mule is a dwarf. Because he is sitting on the Rijdier, he seems just as big as his female companion. He wears a big hat with feathers on the head and is shown in boots with traces. The woman is in her open dress with low cleavage, poffing incised sleeves and a raised batist collar with lace, dressed according to fashion around 1634. She has her hands in a fur mof. Why not she is on the mule, but is next to it, is mentioned in the caption. The dwarf needs his rider because otherwise he can't keep up with the woman. Moreover, he is paralyzed! If we do not take his short legs and his paralysis literally, but in a transferable sense, it becomes clear that Isaac does not only show the fashion of 1634 here, but that the print seamlessly matches his other ambiguous prints from that year. paper engraving fashion plates
Size: 3312px × 5208px
Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
