International studio . ty of Garden, in which the KniperorGenso of China and Vokihi were depicted asl>laying upon the same flute, showed excellentqualities. Kawasaki Rankos picture showing agroup of women out in the field in spring may becounted as the best in her recent work. Vasuma-Sados May at Arima was notable for its de])th of feeling. Spring Verdurt by Kanai-Issho, Peak inSummer by Ito-Ryugai, Sprini; Rain by Chikui-Kohan, After the Rain by , Sunseton Snow by Mori-Koryo, were much other exhibitors of meritorious workmention shoul
International studio . ty of Garden, in which the KniperorGenso of China and Vokihi were depicted asl>laying upon the same flute, showed excellentqualities. Kawasaki Rankos picture showing agroup of women out in the field in spring may becounted as the best in her recent work. Vasuma-Sados May at Arima was notable for its de])th of feeling. Spring Verdurt by Kanai-Issho, Peak inSummer by Ito-Ryugai, Sprini; Rain by Chikui-Kohan, After the Rain by , Sunseton Snow by Mori-Koryo, were much other exhibitors of meritorious workmention should be made of Mizukami-Taisei,Ishiyama-Tahaku, Tonai-Kodo, Nara-Rokusenand Vamamori-Bokuso. Though under the guid-ance of a single teacher, the exhibits showed avariety of styles and breadth of treatment, suggest-ing the calibre and resourcefulness of Kogyo,who is generally recognised as one of the threerepresentative artists of present-day Japan, theother two being Takenouchi-Seiho of Kyoto andVokoyama-Taikan of
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
