GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 50 The Seven Vices: Injustice 1306 Fresco, 120 x 60 cm Cappella Scrovegni (Arena Chapel), Padua The figures of Justice and Injustice are larger than those of the other Virtues and Vices, and occupy a central position on the dado. Both are represented as rulers - justice wears a royal crown, and Injustice appears as a tyrant; their role as symbols of good and bad government respectively is indicated in the small reliefs on their thrones. Justice is shown as the personification of prosperity, while the tyrant Injustice occupies a c

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GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 50 The Seven Vices: Injustice 1306 Fresco, 120 x 60 cm Cappella Scrovegni (Arena Chapel), Padua The figures of Justice and Injustice are larger than those of the other Virtues and Vices, and occupy a central position on the dado. Both are represented as rulers - justice wears a royal crown, and Injustice appears as a tyrant; their role as symbols of good and bad government respectively is indicated in the small reliefs on their thrones. Justice is shown as the personification of prosperity, while the tyrant Injustice occupies a crumbling turreted throne. *** Keywords: ************* Author: GIOTTO di Bondone Title: No. 50 The Seven Vices: Injustice Time-line: 1301-1350 School: Italian Form: painting Type: religious

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Size: 1920px × 3208px
Photo credit: © Carlo Bollo / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: 1300, 1300s, 14th, art, artwork, cappella, century, chapel, degli, fresco, frescoes, giotto, historical, history, italian, italy, padova, padua, paint, painter, painting, paintings, scrovegni