. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . TWELVE MAJOR SCALES FINGERED. 47 thirASna/enertaltrUle wV11^ ^^^ the right ^^ iS pkC6d °n Bb- Great Care Sh0uld be taken« in PlaciQS the th
. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . TWELVE MAJOR SCALES FINGERED. 47 thirASna/enertaltrUle wV11^ ^^^ the right ^^ iS pkC6d °n Bb- Great Care Sh0uld be taken« in PlaciQS the thumb under thethird finger, not to sink the wrist, as it gives an awkward, limping motion to the hand. No. 7. F. x x 2 3 2 !23X ^ £■£ £ » a ♦ f j- f 1~ 1- -F -F X. (1). The scales of D> Major and C# Major are fingered in the same manner.(2). Gs> Major and FJi Major are fingered alike. 48 TWELVE MELODIC MINOR SCALES FINGERED. The rules of modulation require that, in the ascending Melodic Minor Scale, the sixth and seventh should be raised a diatonic semi-tone. In descending, the seventh and sixth are lowered to their proper places, according to the signature. No. 1. A. 3 * , 3 \ ^F3#t^ ^3^=M#fe3
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Keywords: ., bo, bookcentury1800, bookdecade1850, bookideclecticpianofor00pete
