Additional impressions of B51 are listed with B168 which is on the same plate. Admission is granted through application to the Office of Special Collections. Forms part of Samuel Putnam Avery Collection. Gift of Samuel Putnam Avery, 1900. B27 and B51 were formerly in the collection of Frederick Keppel and are inscribed to him by the artist. Holdings checked in departmental copy of Gustave Bourcard & James Goodfriend, Felix Buhot catalogue descriptif de son oeuvre grave (1979) Includes several cancellation proofs. Landscapes, chiefly in and around Buhot's native village of Valognes, and animals
Additional impressions of B51 are listed with B168 which is on the same plate. Admission is granted through application to the Office of Special Collections. Forms part of Samuel Putnam Avery Collection. Gift of Samuel Putnam Avery, 1900. B27 and B51 were formerly in the collection of Frederick Keppel and are inscribed to him by the artist. Holdings checked in departmental copy of Gustave Bourcard & James Goodfriend, Felix Buhot catalogue descriptif de son oeuvre grave (1979) Includes several cancellation proofs. Landscapes, chiefly in and around Buhot's native village of Valognes, and animals, chiefly donkeys, but also swine and dogs. In a number of prints, Buhot explores effects of twilight, night and rain. Umbrellas figure prominently in several prints. Avery Collection. Signature varies. Some prints signed Tohub (anagram of Buhot) or with artist's monogram. Some signed in pencil, with notes in artist's hand. Title devised by cataloger. Citation/Reference: 76(II/V).; Les gardiens du logis ou les amis du saltimbanque.
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