. Review of reviews and world's work. MHS. AUGUSTA OIFFOUD. THE NEW BOOKS. 121. WALTER SAVAGE (From the original painting byCharles C a r y 11 Co 1 e m a n .Frontispiece.) mans oil portrait of Landor In his later years, whichis owned by Miss Whiting. Two in Itfily (Little, Brown), by Maud Howe, au-thor of Ronia Beata, Letters from the Eternal City,is a collection of Italian studies and sketches. It ischarmingly illustrated. It is indeed a noteworthy year during which Crawford doesnot bring out at leastone new book or newedition about Italy. His• Sal veVenetia! a serieso
. Review of reviews and world's work. MHS. AUGUSTA OIFFOUD. THE NEW BOOKS. 121. WALTER SAVAGE (From the original painting byCharles C a r y 11 Co 1 e m a n .Frontispiece.) mans oil portrait of Landor In his later years, whichis owned by Miss Whiting. Two in Itfily (Little, Brown), by Maud Howe, au-thor of Ronia Beata, Letters from the Eternal City,is a collection of Italian studies and sketches. It ischarmingly illustrated. It is indeed a noteworthy year during which Crawford doesnot bring out at leastone new book or newedition about Italy. His• Sal veVenetia! a seriesof gleanings from Vene-tian history, has justbeen brought out by theMacmillans in a sump-tuous two-volume form,exquisitely printed andillustrated, with twohundred and twenty-five picture* by JosephPeniiell. It would bedifficult to say which isthe more artistic andfascinating, the text orthe pictures. Both pre-sent a graphic picture oftiiat most stirring andfascinating story,—thehistory of Venice. Justfrom the press of theMacmillans, also, wenow have a one-volumeedition of Mr. C
Size: 1235px × 2024px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, bookpublishernewyo, bookyear1890
