. Richard Wagner : his life and works . REPRESENTATION OF THE NIBELUNGEN RING, AT BAYREUTH IN and the Rhinedaughters, first scene of the a drawing by M. Knut Ekwall. 272 RICHARD WAGNER theme, is a superb piece of orchestration, and the conclusionis made grandly effective by an unique combination of thispopular air with a song of Wagners own conception. Hegallantly dedicated this march to the Ladies Committee ofPhiladelphia, with an epigraph borrowed from Goethe: Healone deserves freedom and existence who daily conquers. PLAN OF THE BAYREUTH THEATRE. E. Entrance. O.


. Richard Wagner : his life and works . REPRESENTATION OF THE NIBELUNGEN RING, AT BAYREUTH IN and the Rhinedaughters, first scene of the a drawing by M. Knut Ekwall. 272 RICHARD WAGNER theme, is a superb piece of orchestration, and the conclusionis made grandly effective by an unique combination of thispopular air with a song of Wagners own conception. Hegallantly dedicated this march to the Ladies Committee ofPhiladelphia, with an epigraph borrowed from Goethe: Healone deserves freedom and existence who daily conquers. PLAN OF THE BAYREUTH THEATRE. E. Entrance. O. Orchestra. L. Loges. V. Vestibule. G. Amphitheatre. S. Stage. them. For five thousand dollars the beautiful Americanladies would perhaps have preferred a dance, with or withoutthe quotation from 1 The view of the Bayreuth theatre shown on the opposite page, is very correctas to the architecture, and it is, on the whole, the one which gives the best idea ofthe ensemble ; but what inaccuracy of detail! In the first place, the auditorium isentirely a work of the imagination. Besides the fact that the spectators were notpermitted to leave their seats and move about during the performance, the room


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Keywords: ., bookcentury1800, bookdecade1890, bookidrichardwagne, bookyear1892