The Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895-96 1894 Aubrey Vincent Beardsley Beardsley here responds to a story by Poe that describes a Prince and his courtiers who have taken refuge from the plague in an abbey. Months of revelry culminate in a masked ball, marked at midnight by the appearance of "a masked and gaunt, and shrouded from head and toe in the habiliments of the grave." The image closely follows Poe’s text but innovatively crops the form to suggest the arrival of a sinister force, with the figure cast as a gh

The Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895-96 1894 Aubrey Vincent Beardsley Beardsley here responds to a story by Poe that describes a Prince and his courtiers who have taken refuge from the plague in an abbey. Months of revelry culminate in a masked ball, marked at midnight by the appearance of "a masked and gaunt, and shrouded from head and toe in the habiliments of the grave." The image closely follows Poe’s text but innovatively crops the form to suggest the arrival of a sinister force, with the figure cast as a ghostly Pierrot and the revelers dressed as Commedia dell’ Arte figures. This is one of four drawings that Beardsley made to illustrate a new American edition of Poe's "Tales of Mystery and the Imagination," receiving a commission from the Chicago publisher Stone and Kimball in December 1893. The artist responded that he believed the material offered "an admirable chance of picture making," began work in February 1894, and completed four of eight requested designs. Related sets of prints were issued in portfolios to accompany deluxe two volume Japanese vellum sets of the text published in The Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895-96. Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton). 1894. Pen, brush and India ink over graphite. Drawings

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