. Programme. x/Ac donimaihig idea r^behind the jnanufaciure of is io wake ayici ntam- taivi it as tkc best pioiio tkat cayi be builtP Represented by The A. M. HUML MUSIC CO. 196 Boylston Street, Boston, endeavored to tell the story without any magical apparatus. There-fore he turned the old St. Anthony into a modern monk, and hisendeavor turned out to him an injury. Do you know the picture?He showed the photograph. However, he said, this is not at all asubject for painting. Poet and musician could rather take advan-tage of it. In these Variations Kalbeck finds a crescendo of musical psy
. Programme. x/Ac donimaihig idea r^behind the jnanufaciure of is io wake ayici ntam- taivi it as tkc best pioiio tkat cayi be builtP Represented by The A. M. HUML MUSIC CO. 196 Boylston Street, Boston, endeavored to tell the story without any magical apparatus. There-fore he turned the old St. Anthony into a modern monk, and hisendeavor turned out to him an injury. Do you know the picture?He showed the photograph. However, he said, this is not at all asubject for painting. Poet and musician could rather take advan-tage of it. In these Variations Kalbeck finds a crescendo of musical psy-chology. He also finds a symphony in variations: Scherzo andAdagio are represented by Nos. 5 and 7; beginning and endingare Allegro and Finale. One variation developed from anotherreminds him of musical dissolving views. By the first of the fivestrokes of the bell which are intoned by wind instruments the de-mons hasten from afar; they come the strings of the quartet, tomingle with the spirits ascending from the Chorale. There is much of this fanciful description. In the seventh varia-tion Mr. Kalbeck finds the hardest test undergone by the saint; themost atrocious because it is at the same time the s
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
