Entry of William IV as heir to Vlissingen, 5 June 1751, Jacob Folkema, After Aert Schouman, 1753 print The personalized hope is on the far left with a crown of boats on her head, an anchor is partially hidden under her robe. Next to her is the personification of power that points her to a third figure, the personification of history. Above these personifications, an angel blows a trumpet with a cloth with text. In the background is a gate with portrait busts by Frederik Hendrik and Willem I. The gate of William IV can be seen as heir of Vlissingen, offering him the keys to the city. Amsterdam
Entry of William IV as heir to Vlissingen, 5 June 1751, Jacob Folkema, After Aert Schouman, 1753 print The personalized hope is on the far left with a crown of boats on her head, an anchor is partially hidden under her robe. Next to her is the personification of power that points her to a third figure, the personification of history. Above these personifications, an angel blows a trumpet with a cloth with text. In the background is a gate with portrait busts by Frederik Hendrik and Willem I. The gate of William IV can be seen as heir of Vlissingen, offering him the keys to the city. Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Hope; 'Speranza', 'Speranza Delle Fatrhe' (Ripa). Fortitude, 'Fortitudo' ~ One of the Four Cardinal Virtues. 'Historia'; 'Historia' (Ripa)
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Photo credit: © piemags/rmn / Alamy / Afripics
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