. Joseph Guarnerius, his work and his master [Andreas Gisalberti] . lished, or eminentin their craft, would not be the most tempting position foropening up a business connection unless one appeared athand established and ready for taking over at once. A conjecture might not be unreasonably hazarded that,as the precise period of Andreas Gisalbertis departurefrom Cremona to Parma is unascertained, JosephGuarnerius may have taken over, under his own manage-ment, the premises where he had been trained and foryears been working. Doubtless the circle of supporting patrons with whichGisalberti was co
. Joseph Guarnerius, his work and his master [Andreas Gisalberti] . lished, or eminentin their craft, would not be the most tempting position foropening up a business connection unless one appeared athand established and ready for taking over at once. A conjecture might not be unreasonably hazarded that,as the precise period of Andreas Gisalbertis departurefrom Cremona to Parma is unascertained, JosephGuarnerius may have taken over, under his own manage-ment, the premises where he had been trained and foryears been working. Doubtless the circle of supporting patrons with whichGisalberti was connected, would hope to have, if possible,after his departure, the same class and style of work asthey had been in the habit of receiving at his hands. For this the young apprentice with fully served timewould not think of making much difference, if any, in thegeneral appearance of his work in comparison with thatof his recent master ; he may, in common with mostpupils, have esteemed the style of his master as superiorto any other that had been scrutinised by Plate XL Violin, Joseph Guarnerius, with Ticket, ^ by Mr. H. Petherick.
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