. Audubon . hall of the museumin December. 1020, several of which are herewith reproduced. Black-and-white reproduction unfortunately gives no indication of skill as a colorist, but does do justice to his draftsmanship, in theexcellence of which the most exacting technical ornithologist would bear wit-ness. Mr. Brandreths success in poitraying form, pose, ind expression is dueto his natural gills, to genuine love of birds which sends him to nature foi hissubje* is. ami iii a 1 ourse l study under is Agas-i/. Fuertes, master painteri bird portraits. l niib are his birds corre
. Audubon . hall of the museumin December. 1020, several of which are herewith reproduced. Black-and-white reproduction unfortunately gives no indication of skill as a colorist, but does do justice to his draftsmanship, in theexcellence of which the most exacting technical ornithologist would bear wit-ness. Mr. Brandreths success in poitraying form, pose, ind expression is dueto his natural gills, to genuine love of birds which sends him to nature foi hissubje* is. ami iii a 1 ourse l study under is Agas-i/. Fuertes, master painteri bird portraits. l niib are his birds correct in form, but also in feather. To the land-siapisi who introduces an alleged Eagle or (lull into his painting for purelyartisiii purposes it is quite immaterial whether his figure has live or ten pri-maries; nevertheless, the same man would not think of giving a human subjectan incorrcc 1 number of lingers, and to the ornithologist il is quite as importantin give a bird its proper number of wing LOON ON AN ADIRONDACK LAKE, CALLING AND RUNNING OVER THE WATER IN ACOURTSHIP EVOLUTION (3) Bird-Lore
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectbirds, booksubjectorn
