. Keramic studio. TIGER LI LY—ELEANOR N. HARLOW APRI L 1912 SUPPLEMENT TO KERAMIC STUDIO COPYRIGHT 1912KERAMIC STUDIO PUB. CO. SYRAC USE, N. Y. nERAMlC STUDIO 253. DELAWARE GRAPES—JEANNE M. STEWART (Treatment page 254) 254 nURAMIC STUDIO dish; a china slant is best, for the oil will remain in the deepestpart, leaving the upper end of the slant to work the oil into thebrush properly. Rub a very little color into the oil, just enough to color itso you can see if it is being applied evenly to the china; alittle of the color to be dusted on or Grey for Flesh can be used. The brush to be used is a
. Keramic studio. TIGER LI LY—ELEANOR N. HARLOW APRI L 1912 SUPPLEMENT TO KERAMIC STUDIO COPYRIGHT 1912KERAMIC STUDIO PUB. CO. SYRAC USE, N. Y. nERAMlC STUDIO 253. DELAWARE GRAPES—JEANNE M. STEWART (Treatment page 254) 254 nURAMIC STUDIO dish; a china slant is best, for the oil will remain in the deepestpart, leaving the upper end of the slant to work the oil into thebrush properly. Rub a very little color into the oil, just enough to color itso you can see if it is being applied evenly to the china; alittle of the color to be dusted on or Grey for Flesh can be used. The brush to be used is a No. 2 or No 3 square may find a No. 4 pointed shader better for the the brush in the oil and work out most of it on the square shader should be kept perfectly square when doingthis. When the brush is in good condition and charged with theright amount of oil, paint in all of the tone marked No. 4 withthe oil by dragging it on with a light touch working from theline of the design first, in order to get a good straight edge. Theoil must be applied perfectly even. If the right amount ofoil has been used it will be ready for the
Size: 1264px × 1977px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
