Typical tales of fancy, romance, and history from Shakespeare's plays; in narrative form, largely in Shakespeare's words, with dialogue passages in the original dramatic text . Act I. Scene 3. >HE two cousins, Celia and Rosalind, had lived together inDuke Fredericks palace ever since the banishment ofRosalinds father. They had played together as children ;studied together ; slept, walked, and talked together. Everysecret was shared between them. If Celia was sad, Rosa-lind, who was light-hearted by nature, would have somecheery word or merry sport, to beguile her of her was
Typical tales of fancy, romance, and history from Shakespeare's plays; in narrative form, largely in Shakespeare's words, with dialogue passages in the original dramatic text . Act I. Scene 3. >HE two cousins, Celia and Rosalind, had lived together inDuke Fredericks palace ever since the banishment ofRosalinds father. They had played together as children ;studied together ; slept, walked, and talked together. Everysecret was shared between them. If Celia was sad, Rosa-lind, who was light-hearted by nature, would have somecheery word or merry sport, to beguile her of her was not often that Rosalind needed comfort, but now, for once, it was she whowas dull and out of spirits ; and as theyentered one of the apartments of thepalace in their usual affectionate way,she was silent and sad, and so little likeher usual self that Celia jested with herand teased her, in a kindly way. Why, cousin ; why, Rosalind, shesaid, — not a word ? Not one to throw at a dog, an-swered Rosalind, with a heavy sigh. My dear Rosalind, this will neverdo. Come, come; wrestle with thyaffections. That I cannot do, answeredRosalind; they take the part of abetter wrestler than
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