. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . B y tiiis you fee what Concords your Canonmuft move into; your care being no more thanto avoid the Confeaition of PerjcBs of the fameliindj and to difpofe your Parts (fo much as youcan) into different Concords. EX Contrivance ©/ C a n o ni J^T^Example 0/ C a n o N in § 5* 0/Syncopated or Driving Canok* /?/ THERE is another fort of Canon in Unifon,in which the following Parts come in upons,.Crotchety or upon a Mimm R&fty one after ano-tiier; and this kind of Canon may be applied toany Groun


. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . B y tiiis you fee what Concords your Canonmuft move into; your care being no more thanto avoid the Confeaition of PerjcBs of the fameliindj and to difpofe your Parts (fo much as youcan) into different Concords. EX Contrivance ©/ C a n o ni J^T^Example 0/ C a n o N in § 5* 0/Syncopated or Driving Canok* /?/ THERE is another fort of Canon in Unifon,in which the following Parts come in upons,.Crotchety or upon a Mimm R&fty one after ano-tiier; and this kind of Canon may be applied toany Ground of Plain Song, confiiling of Semi^hrevesy or of Breves^ if you double the length ofthe Defcant NoteSy I will firft (hew the way of it upon Semihreves^moving by Degrees. 12 8 A Comfeniium of Musi c. I E X A MT L E. iiiiiilfifipiiiiii Pirfiipeiiipi iiiipliiiii^ 5 6 5, J 6 5, s 6 5. 3 4 ?, 3 4 S 3 4 5 The Figures (hew the Concords of the lead-ing Part to the Ground both Afcending andDefcending. If the Ground confift of Breves^the length of the Defcant Notes muft be dou-bled. And this I think may fufiice, to let youfee the order of your Defcant, in thofe Placeswhere the Ground of Plain Song ftiall rife or fallby Degrees. I will now let you fee how to order your De-fcanr^ when the Ground fhall move by Leaps. In which the movement of your Defcant muftbe from 3


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Keywords: ., bookcentury1700, bookdecade1730, bookidcompendiumor, bookyear1732