. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . (4). The third fingeron 15, thumb on A. Thumb on C, andthird finger on E4. 9;EE: :r_,:rp &£££« ^gE^EeS?EEe^ <: :#^: =^EE5^= r1 * x tt-*t
. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . (4). The third fingeron 15, thumb on A. Thumb on C, andthird finger on E4. 9;EE: :r_,:rp &£££« ^gE^EeS?EEe^ <: :#^: =^EE5^= r1 * x tt-*t x II (5). Arpeggio.—Exei-eise on passing the fourthfinger over the thumb,and the thumb under thefourth (6). Example of theArpeggio, where thesame fingers (the thumband fourth finger) areused on different note*. 4 4 (A), In chords, or arpeggios composed of four notes, the general rule for fingering the right hand is to place the third finger OBBb, and the thumb on C. For the left hand place the thumb ou G, and the third finger on Bb. 14 106 STUDY. No. 1. The first movement of this piece illustrates the value of detached notes. (See Example, page 63.) The melody of the second partis in octaves; and, if well bound and played legato, is in pl»asing contrast with the first part. H D. SOFGE. r, jf ft f «•»- t *.X 5 9 ^ =k ^ -f- • ^1 ^~ ^~ •*>- +~ Gkazioso. (§lftp Scherzo. Ped. tt /-</. * PecZ. # Pcrf. tt » ♦ J: 5: ♦ J 5: 1 J $ S S Pec/. «. PeeZ ^ Ped. ^ Ped n ^ ,#- y#- *i^=^^=? _JSF T_ :r—i~ ^ili# =1 Ped. # Ped. \ # Pol. ^ # Ped. # Ped. * Ped if. Ped. , =1=* r* ^ ! r= fe=^bz=E! ? E 1=3= 0— — 0- 3(: ^ :f^ ¥=1^?^ «r ±-iir~i. t^ * J5 pg^ggg^jgg^gg^g^g^^g Ped. * Pe
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Keywords: ., bo, bookcentury1800, bookdecade1850, bookideclecticpianofor00pete
