. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. , through which food enters the abdomen, inorder to sustain the vital na-ture. It must not be over-looked, however, that eventhe mouth is a part of thehead, for which reason, whileit gives a vital emphasis, theX quality to which it gives thisemphasis may be mental. In-deed, it is through the mouththat the inaudible processesof thought obtain material-ization by being convertedinto language. Thus under-standing what is meant byvitality of emphasis as im-parted by this part of theface, notice how
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. , through which food enters the abdomen, inorder to sustain the vital na-ture. It must not be over-looked, however, that eventhe mouth is a part of thehead, for which reason, whileit gives a vital emphasis, theX quality to which it gives thisemphasis may be mental. In-deed, it is through the mouththat the inaudible processesof thought obtain material-ization by being convertedinto language. Thus under-standing what is meant byvitality of emphasis as im-parted by this part of theface, notice how the follow-ing quotations, though not written for any such purpose,confirm the general principles that have been large lips, says Mantegazza, in his Physiognomyand Expression, as epitomized in Werners Magazine for January and February, 1895, are almost always com-bined with great sensuality ; and again : If the eye isthe most expressive part of the face, the mouth is themost sympathetic. The desires of love and the ardors ofvoluptuousness converge about it as their natural FIQ. 63.—NAPOLEON BONAPARTE. See pages 115, 118, 119, 120, 124,169, 177, 179. REPMESEXTATIOX THROUGJI FIUMAX SHATK 1 I
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