Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse) model 1480 (old aftercast) Bertoldo di Giovanni Italian Bertoldo based this likeness on a medal by the Venetian artist Gentile Bellini, who had also painted the Ottoman sultan’s portrait. Mehmed favored Italian medalists, perceiving their art form as a way to emphasize his rightful lineage among the emperors of Byzantium and ancient Rome. This medal, Bertoldo’s largest and only signed example, was a gift from Lorenzo de’ Medici in flattering recognition of the sultan’s military the reverse, a triumphant ho
Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse) model 1480 (old aftercast) Bertoldo di Giovanni Italian Bertoldo based this likeness on a medal by the Venetian artist Gentile Bellini, who had also painted the Ottoman sultan’s portrait. Mehmed favored Italian medalists, perceiving their art form as a way to emphasize his rightful lineage among the emperors of Byzantium and ancient Rome. This medal, Bertoldo’s largest and only signed example, was a gift from Lorenzo de’ Medici in flattering recognition of the sultan’s military the reverse, a triumphant horse-drawn chariot is led by Mars, the god of war, carrying a trophy, an allusion to Mehmed’s planned territorial conquests. Standing on a pedestal, the sultan grasps a rope tied to three crowned female figures, representing his abduction of the territories under his rule: Asia, Greece, and Trebizond (an empire occupying the southern coast of the Black Sea). Mehmed associated himself not with the rulers of the Holy Roman Empire but with the entire line of emperors from ancient Rome and Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse). Bertoldo di Giovanni (Italian, born Florence (?) ca. 1430–40, died 1491 Poggio a Caiano). model 1480 (old aftercast). Bronze. Medals
Size: 4000px × 3928px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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