Bed curtain border first quarter 19th century Russian This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn
Bed curtain border first quarter 19th century Russian This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. intricacy of the work and size of the piece indicate this border belonged to an upper-middle class family of some importance. The depth of a bed curtain border indicated wealth and was handed down through generations. This example was likely part of a bride's trousseau. The motif depicts the Czar and Czarina in various settings including the Kremlin and horse-drawn coaches. The birds and flowering plant motifs bring good luck and fruitfulness to the Bed curtain border 158384
Size: 4000px × 1693px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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