. A guide to Parsifal, the music drama of Richard Wagner; its origin, story, and music. As Gurnemanz sadly acknowledges the presenthopelessness of relieving the king, we hear thetones of the ]\iotto of Promise (page 12, system i),that later comes in more complete form as theprophecy is disclosed, as follows: \J^ VI. MOTTO OF PROMISE pp By pit-y lightend, the guileJess Fool, wait for him, my chosen tool ^^ ,r ? I,- MM ^ Then comes the rush of Kundrys mad ap- | ^proach, for which the orchestra presents two //^Vthemes. First, before her appearance, the Riding - ^Motive (page 13, system 3), that i
. A guide to Parsifal, the music drama of Richard Wagner; its origin, story, and music. As Gurnemanz sadly acknowledges the presenthopelessness of relieving the king, we hear thetones of the ]\iotto of Promise (page 12, system i),that later comes in more complete form as theprophecy is disclosed, as follows: \J^ VI. MOTTO OF PROMISE pp By pit-y lightend, the guileJess Fool, wait for him, my chosen tool ^^ ,r ? I,- MM ^ Then comes the rush of Kundrys mad ap- | ^proach, for which the orchestra presents two //^Vthemes. First, before her appearance, the Riding - ^Motive (page 13, system 3), that is later used in;very different connections, in the manner of a/description —as, for instance, when Parsifal tells ofhis roaming through the forest; or when Kundny [47] ^ A Guide to Parsifal VII. KUNDRYS RIDING MOTIVE. condemns him to endless wanderings; or when onhis return he describes those wanderings. It may,however, for convenience be called from the cir-cumstances of its first appearance by the namejust affixed to it. Then, as she emerges, comes a motive that is^^(A used throughout the drama in connection with;-(- v^ certain phases of her character, her wildness and
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectwagnerr, bookyear1904
