. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. i V, i -. ^s -•#«^***. liJJJjJs^^Si^^n r j^T^E^P^S^^ ^ii^^fe:! H GROUP I. —STRINGED INSTRUMENTS. 4. Sometimes it is impossible to convey dis-similar figures or polyphonic parts simultane-ously to both hands. In such cases only the most prominent parts should be selected, whichare best adapted to create the most effectivegeneral impressioa. p^^p^^^^^^^l !iS^!^^t^ii^^^il^^^^ 5. Sustained not

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. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. i V, i -. ^s -•#«^***. liJJJjJs^^Si^^n r j^T^E^P^S^^ ^ii^^fe:! H GROUP I. —STRINGED INSTRUMENTS. 4. Sometimes it is impossible to convey dis-similar figures or polyphonic parts simultane-ously to both hands. In such cases only the most prominent parts should be selected, whichare best adapted to create the most effectivegeneral impressioa. p^^p^^^^^^^l !iS^!^^t^ii^^^il^^^^ 5. Sustained notes, as well as differentlyformed or oft repeated figures, in sixteenth orthirty-second notes, are best conveyed in the shape of sustained arpeggio-like passages orthrough the use of the Tremolo. EXTRACT FROM DON JUAN. Andante

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