. International studio. {f Rubens instructions to Nicholas Claude Fabri de Pieresc WRITING to the French Savantfrom London in August 1629,Rubens said, It may be that my por-trait does not now look as it didoriginally, and gave careful directionsfor its restoration. Unforseen changes in pigments have always been one of the artists mostvexing problems. Devoe Colors can be trusted to purity and technical perfection,vouched for by 168 years of researchand paint manufacturing experience,assure the painter that they will givethe utmost resistance to change. ! DEVOE ARTISTS MATERIALS Man
. International studio. {f Rubens instructions to Nicholas Claude Fabri de Pieresc WRITING to the French Savantfrom London in August 1629,Rubens said, It may be that my por-trait does not now look as it didoriginally, and gave careful directionsfor its restoration. Unforseen changes in pigments have always been one of the artists mostvexing problems. Devoe Colors can be trusted to purity and technical perfection,vouched for by 168 years of researchand paint manufacturing experience,assure the painter that they will givethe utmost resistance to change. ! DEVOE ARTISTS MATERIALS Manufactured by Devoe & Raynolds Co., Inc. New York Chicago ix 6> *-*t_*!t_?lfc_?li ^m l xi ] International Studio April 1922 Frederick Keppel & by REMBRANDTWHISTLERM E R Y O NHADEN, ZORNAND OTHERMASTERS ONEXHIBITION INOUR GALLERIES #4 East Thirty-Ninth Street, New York. Mi-Teintes A SLIGHTLY tooth-grained paperfor water colors, pastel andcrayon, which may be had in fifteenfast colors ranging from a delicatepink to a Stygian black. Using the color of Mi-Teintes for abackground a few contrasting strokeswill produce drawings of striking origi-nality. The slightly grained surfacetikes pastels and crayons your dealer for samples or writeus directly. Canson & Montgolfier French Papers461 EIGHTH AVE NEW YORK
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
