Flowers of Spring and Autumn shortly after 1701 Ogata K?rin On the right-hand panel, white plum blossoms, a harbinger of spring, stand out against fine-grained wood and the stark branches of a leafless tree. The companion panel features flowers and grasses of late summer and early autumn: morning glories, pampas grasses, white and blue bellflowers, and exuberant white, pink, and red chrysanthemums. Flowers of Spring and Autumn combines the highly stylized renditions of natural elements for which K?rin became famous and the ink painting in the Chinese style that was the foundation of his artist
Flowers of Spring and Autumn shortly after 1701 Ogata K?rin On the right-hand panel, white plum blossoms, a harbinger of spring, stand out against fine-grained wood and the stark branches of a leafless tree. The companion panel features flowers and grasses of late summer and early autumn: morning glories, pampas grasses, white and blue bellflowers, and exuberant white, pink, and red chrysanthemums. Flowers of Spring and Autumn combines the highly stylized renditions of natural elements for which K?rin became famous and the ink painting in the Chinese style that was the foundation of his artistic signature “Hokky? K?rin” appears in the right-hand panel’s lower right corner, and both panels bear the artist’s distinctive round seal reading “Koresuke.” The brushwork and signature style suggest that this diptych dates to just after K?rin was granted the honorific title Hokky? (Bridge of the Law).. Flowers of Spring and Autumn. Ogata K?rin (Japanese, 1658–1716). Japan. shortly after 1701. Pair of panels; ink and color on cryptomeria wood. Edo period (1615–1868). Paintings
Size: 2998px × 4000px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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