. International studio. genuine aesthetic pleasure. Because of one forti -c ight APRIL ig22 the simplification of designthese criss - crossing linesnever pall. Since only theessentials of form arc placedon the canvas, the scopecan be much broader. Thepictures never seem to becrowded or confused ortiring to the successive sail leadingaway into the distance withalways another one justbeyond guides the eye onand on with as near a sug-gestion of the limitless as ispossible to give in terms ofthe painters art. The pic-ture becomes wonderfullycomplete in itself becauseofits escape
. International studio. genuine aesthetic pleasure. Because of one forti -c ight APRIL ig22 the simplification of designthese criss - crossing linesnever pall. Since only theessentials of form arc placedon the canvas, the scopecan be much broader. Thepictures never seem to becrowded or confused ortiring to the successive sail leadingaway into the distance withalways another one justbeyond guides the eye onand on with as near a sug-gestion of the limitless as ispossible to give in terms ofthe painters art. The pic-ture becomes wonderfullycomplete in itself becauseofits escape from the limita-tions which impose them-selves on the artist. It hasthe effect of not stoppingat the boundaries of thecanvas, but its hills stretchbeyond the horizon, thereare other boats than thesejust ahead, and the shoresuggests its line upon line ofhouses. It is not like apiece which is cut out ofsomething, ending definitelyat this point and that, butit carries with it the key to thewhole of which it is only a trees (1917)by samuel halpert of it that, after Rubens, nothing more remained except to echo Interior (1920) shows its strength of com- what had already been expressed. The oppor- position even in a black and white reproduction, tunity for further growth had ended in supreme but it should, of course, be seen in the original to attainment. In later times Constable, Turner and appreciate the part which color plays in Halpertsart. Of such pictures as this, it is not indulging inmere words to say that the artist has seen formand color as one. His painting is not simply a Delacroix ushered in a naturalistic era so far ascolor and light were concerned, and Manet,Monet, Pissarro and Renoir carried their workto a conclusion as definite, in turn, as did Rubens tinted drawing, using color only for effectiveness, the ideas which inspired the painters of an earlier Nor does it represent the other extreme in which period. So the second cycle ended and again color is used fo
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
