. Guide leaflet. < <r< < < mmmmmmm^m lM\\\f\\\S\\M\\\ —-* -q ^ — ~T ^ T3 1 ^ ^. jTtT* ////////////////////^ FIG. 16. INCISED DESIGNS FROM POTTERY VESSELS a , &, and d, designs from Iroquoian vessels; c design from an Algonklai design from the Iroquoian type from a Connecticut rock-shelter. Introduced here for com- parison. 32 AMERICAN MUSEUM GUIDE LEAFLETS of the lip. This internal decoration is much more common in the southernportion of this area than elsewhere in the vicinity. In design, we must of course, give up all thought of trying to obtainsymbolism, if such there were, f
. Guide leaflet. < <r< < < mmmmmmm^m lM\\\f\\\S\\M\\\ —-* -q ^ — ~T ^ T3 1 ^ ^. jTtT* ////////////////////^ FIG. 16. INCISED DESIGNS FROM POTTERY VESSELS a , &, and d, designs from Iroquoian vessels; c design from an Algonklai design from the Iroquoian type from a Connecticut rock-shelter. Introduced here for com- parison. 32 AMERICAN MUSEUM GUIDE LEAFLETS of the lip. This internal decoration is much more common in the southernportion of this area than elsewhere in the vicinity. In design, we must of course, give up all thought of trying to obtainsymbolism, if such there were, for there are no sources now left upon whichto base our assumptions. Certain conventional types of decoration seemto have been in vogue, usually consisting in rows of stamped or incised paral-lel lines and much more rarely of dots regularly arranged in the same , chevron and herring bone patterns are the most common, butother angular forms occur, and rows of parallel lines encircling the vesselare sometimes to be found. Stamping and incision as decorative processesnever see
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectnatural, bookyear1901
