The life and letters of Frederic Shields . f Miss Carver, Sweet Mary,and Calypso (both purchased by Mr. MConnell), an Angel of the Annunciation, and two or three drawingsfor Punch; the largest of these, however, was not pub-lished until 1875. It must have been somewhat hard for him to decidethe rights and wrongs of the hobble Rossetti now de-scribes ! Mr. Craven was certainly entitled to a little sympathy. 16 Cheyne Walk, 15th Nov. 1871. Dear Shields,—I was very glad, as always, to hearfrom you at such friendly length and to such friendlypurpose. I wish heartily you were here, for a selfishrea
The life and letters of Frederic Shields . f Miss Carver, Sweet Mary,and Calypso (both purchased by Mr. MConnell), an Angel of the Annunciation, and two or three drawingsfor Punch; the largest of these, however, was not pub-lished until 1875. It must have been somewhat hard for him to decidethe rights and wrongs of the hobble Rossetti now de-scribes ! Mr. Craven was certainly entitled to a little sympathy. 16 Cheyne Walk, 15th Nov. 1871. Dear Shields,—I was very glad, as always, to hearfrom you at such friendly length and to such friendlypurpose. I wish heartily you were here, for a selfishreason as well as for others; for I should take a thoroughpleasure in showing you my large picture, as the onlything (with all its faultiness) in which I ever tried com-pletely to test (by unflinching efforts to get a work on agood scale right in the end) what my powers for the timebeing might be. It is really much better, I know, thananything I have done yet, though I am very far frombeing blind to its shortcomings. I am about immediately. ^s <i o Si On <0 00 1-1 * K X O X u SS o <u b<J 55- ^ Ph c Pi So o fa O =q o ^ H ^ <; c ^ {* o V H CO Uh ,<a P <o p ROSSETTI, CRAVEN, AND KELMSCOTT 151 to get on other large work, and hope to make a furtherstep in advance. Your mention of Mr. Craven induces me to detail toyou (though distasteful enough) a stupid misunderstand-ing which seems to have arisen between us. I long agoengaged to do him a drawing of Beatrice, price 300 guineas,which (to make a long story short) was to liquidate to theextent of its price some advances made at intervals onwork since abandoned, though on its delivery a sum (£70)would still remain payable by me, either in work (as origi-nally intended) or in money. Craven behaved capitallyin not troubling me in the least about this drawing for along while (knowing that it could not be finished till theoriginal oil picture, of which it was a replica, should beout of hand), but having some six months
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Keywords: ., bookcentury1900, bookdecade191, bookpublisherlondon, bookyear1912
